At the time of writing, the only extreme wide-angle zoom with a constant aperture for the E-mount is the E 10-18mm f/4 OSS, whose focal range equates to 15-27mm in 35mm format terms. One E-mount lens I immediately fell in love with the minute I started using it was the FE 90mm f/2.8. Similar to digital SLRs, this list of weather-sealed mirrorless cameras is comprised of mid-range (enthusiast) and professional models. We look at what the camera offers and who it might make sense for. It's well-built and is pretty compact, but it's still not quite perfect. Like the aforementioned 19mm, this portrait lens is very light and compact and delivers excellent sharpness where it counts. So this is the reason I'm looking for such a gear that could handle at least a little of all this sudden weather changes and drizzle or rain. The lens is weather-sealed and arrives with a circular hood that slots in via bayonet. A few fe lenses have rubber gaskets but none of the e mount apsc lenses have this feature. Renowned for its lack of coma aberrations for astrophotography, this lens is sharp from edge-to-edge even at its fastest aperture of f/2. It features a solid metal dust-and-moisture resistant construction and comes with a very quick and reliable autofocus mechanism, meaning you should experience no hesitation from the lens when locking onto the eye of your subject. In our latest buying guide we've selected some cameras that might be a bit older but still offer a lot of bang for the buck. With an equivalent focal range of 83-315mm, it suits both sports and wildlife in good light conditions and comes with a fairly fast autofocus mechanism and magnesium alloy chassis to boot. We will update this section once we’ve spent some quality time with this lens! This post has been fully updated to reflect 2019 lenses and camera options. Sony hasn’t skimped on build quality, as evidenced by the FE 90mm f/2.8 Macro G OSS’s metal barrel. Since it lacks depth of field marks on the barrel, you’ll have to rely on Sony’s manual assists such as magnification or focus peaking. Note that like the 19mm and 60mm, the 30mm will only use the centre PDAF zone with the a6500. On the barrel, you’ll find lots of assists, including a focus limiter switch, a focus hold button and a useful sliding focus ring for AF/MF selection. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2500 and recommended the best. Is the Sony a6500 Weather Sealed? At the most important apertures for landscapes (f/5.6 to f/11), the lens is very sharp across the frame. The focus hold button makes an appearance, as does a distance gauge useful for manual tweaking. Though it was released four years ago, you’ll be hard pressed to find this lens for much less than $700 on the second-hand market. The 12mm (18mm in 35mm format) provides excellent sharpness across the frame and through the aperture range, and its fast aperture paired with its minimum focus distance of 18cm allows you to achieve some shallow depth of field if you so desire. Since the camera incorporates sensor stabilisation – a first for an APS-C model – we will be including lenses both with and without optical stabilisation. Sharpness is great where it counts and being so small, it pairs well with the a6500 body. Whether you make a living out of taking professional portraits, or are the weekend warrior who knows their way around flashes and reflectors, you'll want a camera with high resolution, exceptional autofocus and a good selection of portrait prime lenses. The only annoyance is that it doesn’t transmit EXIF data, so you’ll have to record that information elsewhere if it is important to you. The final macro lens we’d recommend is the 30mm f/3.5, which has been around for almost as long as the system itself. We take a look beyond the specs to see what it offers to filmmakers. Updated Feb 2020. The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. You already are risking everything by relying on weather sealing.. act as if it isn't there at all because one day .. or one hour it won't be. Thank you! Thanks to its fast aperture, you can achieve a nice shallow depth of field and work in poor light conditions with the combined optical and sensor stabilisation. You could argue that the best solution is to use full-frame E-mount lenses designed for the Sony FE range instead, but barring a couple of exceptions, most of these lenses tend to be a) too large for an APS-C sized body, and b) very expensive. If you buy something after clicking the link, we will receive a small commission.

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